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INDUSTRY

The systems behind Canadian music.

Music is both a creative practice and a complex industry built across rights, recordings, live performance, services, technology, capital and audience relationships.

Ecosystem

Six connected layers of the music economy.

01

Creation

Artists, songwriters, composers, producers, studios and the creative teams behind recorded and live work.

02

Rights

Copyright, publishing, licensing, royalty administration, neighbouring rights and ownership data.

03

Recorded Music

Labels, independent releases, distribution, catalog strategy, marketing and platform operations.

04

Live Music

Venues, festivals, promoters, touring, production, ticketing and the fan experience.

05

Technology & Data

Production software, streaming, discovery, analytics, AI, rights infrastructure and new music products.

06

Markets & Growth

Audience development, management, export, partnerships, capital and business expansion.

Industry agenda

Build capacity. Improve information. Expand opportunity.

Canada’s music sector competes inside a global digital market while remaining deeply local in how talent develops, venues operate and communities form. Stronger infrastructure has to work at both levels.

The Council focuses on cross-cutting issues where shared knowledge and collaboration can improve outcomes: professional capability, rights literacy, market intelligence, technology adoption, export readiness and sector connection.

Professional audio mixing console
Vinyl record photographed in Vancouver
Catalog & ownership
Music festival audience
Live infrastructure
Professional recording microphone
Creative production

Questions we track

Where value is created—and where friction remains.

  • How creators build sustainable revenue across multiple channels.
  • How rights data and licensing systems keep pace with new technology.
  • How live infrastructure supports talent development and local economies.
  • How Canadian music businesses reach international audiences and partners.
  • How AI changes production, discovery, attribution and rights administration.
  • How capital can support Canadian-owned music businesses and intellectual property.